Originality....
I wonder why many of the "new" movies are re-boots of old ones. Seriously, have they already run out of ideas or are they simply riding the coat tails of previous successors? I don't think there is a lack of material out there--just look at the best seller aisle in any book store. Or turn on the news, there is always a new scandal, a new late breaking story or storyline that the world follows. Do they really have to re-do old stories.
For instance, classics like Charlie and The Chocolate Factory. I know that it's old. I know that you can now see some set design flaws and because of newer technology, the Oompa Loompas won't look like spray tanned freak. However, the story has been done. It was loved and by me, is still loved. I watched the newer one and yes it has it's appeal...and the time period between Charlie getting his ticket was a lot shorter (so we missed out on the one song I didn't like as a child--"Cheer Up Charlie"). The new may have had a different twist, but didn't have that same appeal. Even my younger cousins and nephews and nieces like the older version. One niece was terrified by a squirrel scene in the newer one and has since refused to watch it again.
I know, off on a tangent. My point is, instead of duping movie goers with old ideas, try investing in some younger talent, giving a chance to a new fresh mind. I'm sure many of those writers, directors and actors who have had the doors slammed in their faces can bring in some originality. I don't know how the whole brainstorm to development panel out there works, but something has got to be done about sequels, prequels and reboots.
For instance, classics like Charlie and The Chocolate Factory. I know that it's old. I know that you can now see some set design flaws and because of newer technology, the Oompa Loompas won't look like spray tanned freak. However, the story has been done. It was loved and by me, is still loved. I watched the newer one and yes it has it's appeal...and the time period between Charlie getting his ticket was a lot shorter (so we missed out on the one song I didn't like as a child--"Cheer Up Charlie"). The new may have had a different twist, but didn't have that same appeal. Even my younger cousins and nephews and nieces like the older version. One niece was terrified by a squirrel scene in the newer one and has since refused to watch it again.
I know, off on a tangent. My point is, instead of duping movie goers with old ideas, try investing in some younger talent, giving a chance to a new fresh mind. I'm sure many of those writers, directors and actors who have had the doors slammed in their faces can bring in some originality. I don't know how the whole brainstorm to development panel out there works, but something has got to be done about sequels, prequels and reboots.